Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, July 30, 2015

The Best American Band Ever?


This inquiry is drawn out of a conversation I had last week with a couple of friends. The discussion flowed out of a question about who each of us considered our five favorite bands ever. For the record, mine are (and this doesn't include solo artists) The Beatles, The Replacements, Pink Floyd, The Band,  and then a lot of hedging about; The Jayhawks, The Beastie Boys, Wilco, My Morning Jacket, Rolling Stones, and Steely Dan. I had to cheat because when it got right down to it, I could probably only choose between The Beastie Boys and Steely Dan with a gun to my head and even then I would have to apologize. Somewhere along the way the Eagles were brought up. One of us was really cold. One of us was medium cool. The other was more hot on them. I was the one that was hot on the idea that the Eagles were America's greatest rock band. I later apologized and leaned on the fact that I may have had my mind clouded just a bit on that lazy Saturday afternoon. 


The Eagles 

How I got there (to proclaiming the Eagles as the greatest American band) was by an outburst. I didn't think it through, but I felt as though I had to defend what they were against an onslaught of ripping for them being so, well.....mediocre. I fully realize they are not a particularly influential band, but they had a great deal of talent as individuals. They were easy to listen to and in my opinion they only made one album that I just think was bland (their "comeback" East of Eden). They made five really good records and one great record (Hotel California). I think much of the backlash over them was the type of sound they had coming out of the 1960's, which ended on a string of raw sounding guitar oriented bands, progressive rock, and politically motivated music. It isn't too hard to see why they could be so easily discounted as having substance. That California sound which they lifted from the Byrds and the country tinge they swiped from Gram Parsons captured the ear of the mainstream. Every album they released in the USA went platinum and I do mean EVERY record. That includes the greatest hits. Only eight artists have sold over 40 million records and they are on the list, with Greatest Hits volume 1. They also rank 14th all-time in sales with Hotel California. They won six Grammy's and that's nothing to sneeze at. They were doing something right and I think a very good argument could be  made that they are the best American band ever. Don Henley and Glenn Frey were solid song writers, good (not great musicians) and the supporting cast that were in and out of the group (Randy Meisner, Bernie Leadon, Joe Walsh, Timothy Schmidt, Don Felder) are strong musicians and would occasionally contribute songs. 




I won't make that argument though (at least not anymore than I already have), but they really do have to be up there. I think influence should come into play when there is a discussion of "greatness". Sometimes a band doesn't find an audience that makes them popular in the mainstream, but they find an audience that inspires others to create music or move their music in different directions. Progress is important from record to record in my opinion. The Eagles were pretty much (though they didn't stay entirely static) the same band making the same kind of music in 1979 (and 2007) as they were when they released their first record in 1972. So, while it would be hard to put up a well rounded argument against the Eagles with a serious Eagles fan, I think there are some bands that have had either popularity, influence, volume sales, and artistic respect (or all of the above) that could be mentioned as "great". Are any of these the "greatest"? Are any of them greater than the Eagles? It's subjective to the taste and opinions of each person, but I'll throw a few out there that I have been a fan of at varying levels of interest. 


The Beach Boys

This is a band that probably doesn't get the respect they deserve in some circles of rock "fandom". That definitely comes from the misconception (stemming from their earliest records) that they were a niche band for teenagers and that they wrote shallow songs. Well, sure, there are the surf, car, and girl tunes (which I have NO problem with), but the greatness of Brian Wilson emerged as being much more than that simple formula. The melody's he created that were textured, and sensational to experience, helped them rise above being just some sort of "boy band" that lacked credibility. You simply can't listen to "Don't Worry Baby", "When I Grow Up", "Good Vibrations", "Wouldn't It Be Nice", "Help Me Rhonda", "Sloop John B", and "God Only Knows" without hearing greatness, both musically and lyrically. They influenced The Beatles. If that isn't chops, I don't know what is!




R.E.M.

They were the little alternative band that could. Hailing from Athens, Georgia which also produced another college rock darling The B-52's, REM made killer album after killer album. They sustained a string of critically acclaimed records and finally got a hit in 1987 with "The One I Love", were signed to a major label in 1988, and became an arena filling band with the release of "Out of Time" in 1991. By most any standard, they put together a string of about 7 or 8 fantastic records. I don't know how influential their sound was on other bands, but they were able to sustain some underground credibility even after they "hit it big". For my money, their best album was "Automatic For The People" with "Out of Time", "Life's Rich Pageant", and "Green" being right there. This is a band that continued to develop new sounds for themselves from album to album. You knew you were hearing REM, but they were always able to do something just a bit different to keep it interesting. No better example of that is the difference in their sound and lyrics from "Automatic For The People" to "Monster". From stripped down, subtle pop to the crashing guitars of glam rock! It's hard to ignore 14 Grammy nominations and 3 wins. This is a band that has to be right at the top of the discussion.




The Beastie Boys

Is a "rap act" a band? Sure it is. They played instruments. They wrote their songs. They produced records. They enjoyed some commercial and popular success with their first record, but really hit it off with the hip hop crowd with the stellar "Paul's Boutique" and then took their credibility to the alternative audience with "Check Your Head". "Paul's Boutique" is on quite a few lists for not only best album of the 80's, but for one of the best albums of all-time. They strung together 5 great records before releasing the so/so (in my opinion) "To The Five Burroughs" (which was one of 4 records they had that reached #1). Their influence can be heard in Eminem, Rage Against The Machine, Kid Rock, Pigeon John, and Sublime, among others. I hate that I never got to see them perform live. They were a band that I grew up with. I took to them right from the get go and followed their career until it ended due to the death of Adam Yauch a few years ago. 




Steely Dan

Now this is an odd "band". It's basically two guys (Walter Becker and Donald Fagen) that used session musicians (Rick Derringer & Michael McDonald among many others) and worked tirelessly to produce music that was hard to pin down or define. Was it rock n roll? Jazz? Blues? R&B? Rag time? Yes. The song writing was stellar. They chose to write most of their music about the culture, the seedy underbelly of city life and about people that society looks down on or ignores. They have released 9 albums in their career and I can't call any of them bad. By their own standards in comparison (using "Aja", "Can't Buy A Thrill", and "Royal Scam" as the highest standard) "Countdown To Ecstacy" and "Everything Must Go" are rather ordinary, but each has several solid songs that stand up to the Steely Dan catalog. On a side note, how can you dismiss a band that names themselves after a dildo from a William Burroughs novel? 




Wilco

This is a band that I really wish more people had an interest in. I've never heard anyone say they hate them, their music is accessible, but I guess it's just not right for radio play. Wilco has had many band members come and go over the years, but the band is built around the ideas and lyrics emerging from the mind of Jeff Tweedy. He may well be one of the most under appreciated songwriters in modern music. Each album for Wilco has been a departure (or growth) from the previous. They started out tapping into their alternative-country roots on the album "AM", dabbled in some pop, a little progressive rock...they just seem to have touched it all. They have released eight albums, with a ninth coming up in August. Each record they have recorded seems to push forward into something they have not done before and as a fan it keeps you on your toes and challenges you to step outside what you think "your kind" of music is and to hear things differently. That had to be what the Beatles were like to their fans in the 60's. If you don't allow yourself diversity in what you listen to, they won't appeal to you very long. Perhaps that's why they have not reached more commercial success despite being critical darlings. They have been nominated for 6 Grammy's and have won a couple. By the way, one of the best music oriented documentaries you will ever see is called "I Am Trying To Break Your Heart". You don't have to be a fan of the band to enjoy this look at how clueless, shallow, and spirit breaking the corporate music world is. 



I am going to stop right here. There are more bands that better music fans than myself can probably speak to as in the running for America's best band ever. If I created a list to explore it would also have to include Aerosmith, CCR, Lynyrd Skynyrd, Metallica, The Doors, Pearl Jam, and yes, The Replacements (the best band that America ever missed). I don't listen to some of those bands much, but I realize they have strong followings and I'm sure some solid arguments could be put forth. 

To end this long post, I'll just say that I don't know what band I would call the best American band of all-time. There are so many to consider and there are a lot of great arguments to be made for every band I've mentioned. Some achieved great commercial success. Some were critically successful. Some were influences on entire genres of music without ever having gained radio play. I'm just going to have to wind it up with saying, once again, it's simply subjective. But that's not really any fun is it? I mean, how can you spark a debate if you just dance around the subject? OK, so I will go on record as saying that REM is the best American band ever. So, there....let the hate fly!    

I'd love to hear anyone else's take on this or see your top 5 lists if anyone wants to take the time to leave a remark. 






Thursday, October 16, 2014

The Replacements: They Satisfied.....


Our heroes with their hero.....before the "Tonight Show" appearance.

Well, here I go again....talking 'bout The Replacements. I may as well devote the blog to them, right? I had the chance to see the "new" Replacements twice this past year (Chicago/Louisville) after having not seen them at all for the first 44 years of my life. I had seen Paul Westerberg four or five times, Slim a couple of times and had a near miss with Tommy with Bash & Pop when my transmission went out on the way to Cincinnati. Fucking Pontiac! Still hurts me. 

I've written about not knowing what to expect out of this "reunion" of Paul and Tommy with my "man crush" drummer Josh Freese taking his seat on the throne and Dave Minehan taking over for Bob and Slim on guitar. I then wrote about how my expectations were exceeded by them playing live again. I won't rehash it. I do want to say, now that the announced dates have all been played, that I believe the best thing to ever happen to The Replacements was them "breaking up" some 20+ years ago. They had hit a wall. They weren't going to be a commercial success, Tommy needed some freedom and was growing as an artist and Paul needed to find out if he was really going to be the "voice of a generation". Which he was. It just wasn't the generation that was hanging out at the mall. He was the voice of the loner. The misfits. Those that were awkward in many different ways socially. He was a voice for those that felt alone, even in a crowd. A voice for those that really CARED about the music during an era that changed rock and roll forever. He wrote real alternative music, not the contrived bullshit that became it's own marketable genre off of his and others backs. How the hell can alternative music be played on a mainstream radio station? The point was missed....badly. 


A kick ass version of "Valentine", Dave and Josh really let it go.

All that has gone to history now and Paul and Tommy have concluded a journey that has lasted more than a year. They have toured all around the country and played before audiences of 20,000 plus. They didn't have to spend time in shitty hotels and in a van for days on end. It didn't have to become a burden for them personally. I love going to club shows. They are definitely more personal than a festival, but Paul and Tommy had been there and done that. It was time for them to get paid and do it in a comfortable setting on their terms. Bringing in veterans like Freese and Minehan was the right thing to do and it really started to show in the last few gigs they played, particularly on back to back weekends at the Austin City Limits Festival. 

If these are the last two shows they ever play, they sure the hell went out on a high note. I have watched both shows, via the magic of a You Tube downloader and DVD creating software. I have to say that they may have sounded tighter at other shows, but they were more like THE Replacements than in any other show I've heard or seen. At times they were a mess. At times they were brilliant. At times they were funny. At times they played with raw emotion. At times they looked like they didn't know what the hell was gonna happen next. They appeared to be totally in their element. Paul Westerberg looked like he was finally in his own skin being who he was born to be. I am probably dead wrong about this, but from a fans perspective it really looked like Freese and especially Minehan had finally reached the status of real band members. I sensed a look of reservation in earlier shows. In Austin they really cut loose and played their asses off! This was a real band. Freese and Minehan can now take their place along with Chris, Bob, Slim, and yes, even Steve. We can call them Josh and Dave now. They are no long replacements for Replacements. They are Replacements. This version of the band wasn't just rehashing the old favorites, this was a band hitting on all cylinders in only the way The Replacements could and in only a way a Replacements fan can really understand. 



They didn't phone anything in. They weren't the Rolling Stones playing "Satisfaction" for the hundred millionth time, oh so perfectly, but without passion or attitude! The songs were given life and vitality. They still hold up, they are still relevant, and they still can give this fan a chill. Especially when they are played the way they were created. Ragged glory. Warts and all. Hearing Paul sing "Unsatisfied" with Dave playing with the slide just got to me. I didn't hear it from the perspective of my youth anymore. It didn't lose anything for me. It was fresh and alive again. I hear it as a 45 year old man that can look back on some of his life and still feel "unsatisfied". It's fucking art and not everyone likes it and not everyone understands it, but it's a fulfilling reward if you do. 


If this is the last song they ever play, it was a fitting end. Paul put it to bed in way that may only make sense to him.....he trashed his guitar and walked off the stage, with Tommy smiling in the background. 

 I just don't know if they had stayed together another 5 or 10 years if they would be where they are right now. There were too many swings and misses that wouldn't have happened to shape them into who they are now. We missed them though. Apparently, Tommy and Paul missed each other. What came out of that two decade long drought was an awesome year of seeing these two "alternative/punk" legends reach back into their souls and pull out the music that made them who they are and along with two fresh members, taking their fans, not for a walk down memory lane, but for a full fledged flight of redemption and affirmation. We were right. This was and IS a great fucking band. A real band. I don't see them as Paul, Tommy and two other guys. This is The Replacements. I can only hope they will continue to play once in awhile and possibly record some new music. If not, I think the comeback was all anyone could have ever hoped for. I'll take it and not beg for anything else.


"....and if I don't see you there, in a long long while.
I'll try to find you, left of the dial."
"Left of the Dial" - The Replacements


Some other shit I have written about The Replacements....




Thursday, January 17, 2013

Sgt. Pepper's Lonely Hearts Club Band: Still Amazing


This may not be a post that anyone under the age of 40 cares about, and yes, I do take into consideration that anything I write is apt to not be cared about. I continue to write though. Enough has been written about the Beatles and Sgt. Pepper over the years and it would be silly of me to try to find some new angle to come from on it. I would like to say that I listened to it again last night and it still resonates with me, perhaps more than it has in the past. 

When we talk about this album, it must be within the context of its time. We are used to eclectic instruments and complicated engineering in our music. We are used to grand and colorful cover designs. We don't think anything of veiled sexual, social, and/or drug references in our modern music. We are used to seeing grown men with long hair that dare to walk off the beaten path. So, when considering the album now, it can't be given the same measure of respect it was given in the late 1960's, but those who understand context should be able to appreciate it or all its greatness.  

The album changed the perception of what a rock and roll album could be and what was acceptable to mainstream music listeners. It was an album made by music lovers for music lovers. It's no one trick pony. You get it all here. It runs the spectrum of music and each song is vastly different from the next, yet retains a familiar flow. 

The Beatles are among the most culturally significant figures of the past forty years. They had a great effect on how music is made and thought about. Their influence is felt all through rock music. They also impacted how we dress, wear our hair, and talk. They erupted in the mid-60's and art through music blew up with them and brought an entirely new way to be creative. The shackles were off and what a glorious time it was for music. 

Being able to understand the impact of that album helps me appreciate it all the more. Paul McCartney really shines on this album. His voice was at its best, his bass lines drive much of the music, and his songwriting was peaking. John Lennon was a major player on the album also, along with producer George Martin. Ringo Starr and George Harrison made their contributions ,but this album was truly a showcase for what "could be" from the creative genius of Lennon and McCartney. 

If you own it, perhaps it would be a good time to put the headphones on, stretch out and let the world outside go on without you for 40 or so minutes. Let the album wash over you and carry you without regards to what is the standard now. The world of music went from black and white to color when this album was released, sort of like Dorothy opening up the door after the tornado on the Wizard of Oz! 



We were talking-about the love that's gone so cold and the people, 
Who gain the world and lose their soul- 
They don't know-they can't see-are you one of them? 
When you've seen beyond yourself-then you may find, peace of mind, 
Is waiting there- 
And the time will come when you see
                                  we're all one, and life flows on within you and without you.
Within You, Without You (Harrison)

Saturday, October 27, 2012

I'm Crushing This Morning: Concrete Blonde


I'm having a big of a crush on a band this morning and plan to spend an hour or two digging their music. Singer Johnette Napolitano has been a favorite of mine for almost 20 years. We had an assistant baseball coach at Lindsey Wilson College (John H.) who was into music and knew that I listened to quite a bit of stuff off the beaten path. He had a CD of Concrete Blonde's called "Bloodletting", which had their only hit "Joey" on it. He loved that song, but considered the rest of the record a bit dark for his tastes, so he gave it to me. 

I started listening to it.....A LOT! I listened so much that the guys I shared an apartment with started liking it. Then they started pulling it off the shelf and it was getting played even when I wasn't around. It truly is an amazing record and one that I recommend to any music lover. A pop sound, but there is an undertone of darkness to the music and definitely in the lyrics. Relationships, alcohol abuse, suicide, all of it is right there. 

Some years back, a college buddy of mine (Joey W.) ventured up from his hometown, which is in the Land of Lincoln, and attended a Concrete Blonde show with me at a night spot here in Louisville. I can't remember the name of the place, but that's not important. They were pretty damned good and the crowd was into it. There was some tension in the band though and at one point, the guitarist (James Mankey) got pissed off at singer Johnette Napolitano and told her to play the guitar if she didn't like what he was doing and he walked off. She sang a few songs by herself, one a heart piercing cover of "Mercedes Benz" made famous by Janis Joplin. 

Joey and I got to watch the band disintegrate before our eyes, but since then they have played together quite a bit. They even did a mini-tour commemorating the re-mastering and re-release of the Bloodletting record. Anyhow, I really dig their music and thought I'd write about them this morning and share a few songs that I think some of you may dig. They have released eight albums, the best of which are the aforementioned "Bloodletting" and "Mexican Moon". 

"Someday?" from Walking In London


"Caroline" from Bloodletting


"Joey" Live on Dennis Miller from Bloodletting


"Mexican Moon" from Mexican Moon


"Heal It Up" from Mexican Moon
A REAL SHOWCASE FOR HER SOARING VOICE


I hope you listen to a few tracks and enjoy it! Even if you don't, I'll make up for your displeasure!